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The most common and most popular themes for etched steins include scenic illustration -- tavern scenes, castles, the Munich Child, medieval scenes, etc. A Pioneer — Has unit designation, but no name! To more drinking vessels information and identification. I just do not have the time! The construction of a railroad along the Saar River, together with new production techniques and an emphasis on the best artistic standards of the past, allowed Mettlach to introduce several new lines in the years following Other typical marks -- the size number, the year, the quality control number -- are useful to imply Mettlach.

The two lines also used different background colors, with the cameo items using a sea-green or dark blue unglazed background which heightens the translucent feel of the decoration. To more beer stein information and identification. While some of these may have been decorated in the factory, more commonly they were commissioned to local artists who worked on either flat or relief matte-finish bodies especially purchased for this purpose. That system even exceeded the benefits introduced 70 years later in the often praised social security system founded by the German leader Bismarck. It is now obvious to me the general public never gets that far before wanting to ask me a question on beer stein dollar values.

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The invention of dry compression moulding in Septfontaines was not only a milestone in company history, it greatly influenced the whole industry and in principle, tiles all over the world are still made in the same way even today. What started off as a small venture became one of the largest and most advanced multi-layer manufacturers worldwide, producing many different items right up to the literal kitchen sink. Mettlach is easily the best known name among manufacturers of old beer steins, and to collectors the name is synonymous with quality and value. Whereas relief steins are commonly glazed, the cameo decoration is unglazed, or bisque.

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The decoration number and trademark are combined in a placard-style transfer, either black or brown in color. A large variety of decorations were applied to the same body form number. Interestingly, the pewter lid for a simple half-liter PUG cost more than the body alone! The Attraction for Collectors Mettlach steins have a number of characteristics which make them a perfect collectible: Despite the absence of the trademark, all of the rest of the marks on this stein, including the decoration number, are characteristic of Mettlach.

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The stamped black number is the decoration number. If the incised mold number or the stamped or painted decoration number is present it may be used to look up the piece in a Mettlach reference book. The invention of dry compression moulding in Septfontaines was not only a milestone in company history, it greatly influenced the whole industry and in principle, tiles all over the world are still made in the same way even today. Many of the faience and Delft steins also came with these lids, and some of the faience steins included a pewter footring. It is not a coincidence that the manufacturer with the best designs and the best production techniques was also the most prolific producer of beer steins. The base shown to the right once included two marks stamped in green ink, the Mercury mark above a second mark stating that the stein was Made in Germany.

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By the year , full range production of high-quality bone china and marble-like parian earthenware had been established, followed by multi-colour pattern printing for decoration purposes; the company now not only supplied all European markets but had also managed to find its place on the North and South American market. He was made Privy Councilor of Commerce and raised to peerage, allowing him to carry the name Eugen von Boch ; he died in Silver Drinking Vessels; Some Tales. Much research has been done to try to understand how Mettlach produced these items, and each of the theories is able to produce evidence to support it. Some of the Beauties of the Westerwald [2]:

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On the original steins from about the unit designation was hand painted into a blank space in the decaled transfer inscription. Once again, the company had lost great parts of its production capacity, but this dark period in company history did not last for long. With figural stoneware inlaid lid this stein cost 40 DM in , making it the most expensive stein offered by Mettlach. The Occupational series provides an excellent example of etched lids which complement the themes on the bodies of the steins. Slowly picking up speed, production of the new and particularly hard vitreous porcelain began at the Septfontaines factory in the year and after many hard years, the company finally advanced into areas never served before after selling the first ever large-scale shipment of tableware to Japan in The stein body was glazed and fired, then the transfer applied, followed by another clear glaze and final firing.

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While the majority of PUG decorations appear on only one form and in only one size, some were applied to more than one form, and a few to the same form but in more than one size. A later innovation involved the use of full color relief decoration, but the production of relief steins never approached the volume of etched steins. Moreover, the trademarks employed on the base of their wares prominently feature the name Mettlach.

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To more drinking vessels information and identification. The Baden Griffin thumblift applied to a Bavarian striped blue and white repro stein. Types of Steins The primary lines of steins produced by Mettlach are briefly described in the following sections.

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It is not a coincidence that the manufacturer with the best designs and the best production techniques was also the most prolific producer of beer steins. Much research has been done to try to understand how Mettlach produced these items, and each of the theories is able to produce evidence to support it. Following the gradual changes on the world market, the whole enterprise was re-structured during and the factories that had until now worked on a decentralised basis were recombined to form three main divisions: This new material was of a bright white color and extremely stable, thus strongly representing porcelain and therefore called 'porcelain stoneware'. Silver Plated Steins; A Review.

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The secret of its manufacture was kept well inside the company walls so that no competitor was in the position to produce anything like it. Incorrect lid finial compared with the scenes represented on the body. While the various categories of Mettlach steins and their markings are discussed below, it should be noted that the stein type is the primary characteristic by which all steins are known.

Even when there is no trademark at all, Mettlach items can frequently be identified with confidence. A later innovation involved the use of full color relief decoration, but the production of relief steins never approached the volume of etched steins. No one knows how many steins were produced by Mettlach, but we do know that at the height of production Mettlach employed over factory workers alone. This trademark, among other marks, was pressed by hand into the bottom of the piece.

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  1. While the various categories of Mettlach steins and their markings are discussed below, it should be noted that the stein type is the primary characteristic by which all steins are known. To the left we see another typical set of Mettlach base marks. The base shown to the right once included two marks stamped in green ink, the Mercury mark above a second mark stating that the stein was Made in Germany. To more drinking vessels information and identification. This code originally indicated the relative size of the piece among all of those sharing the same form number, with Roman numeral I indicating the largest. Silver Plated Steins; A Review.
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  2. In addition, even when items were fully marked with the Mercury trademark when they left the factory, because it is stamped in ink this mark frequently deteriorates over the years, so that mere traces of the blackish-green ink may be all that remains. A large variety of decorations were applied to the same body form number. As a result, a significant portion of the existing Mettlach pieces are in the US. The body without lid cost 30 DM, for which sum one could purchase 7 or 8 etched steins with inlaid lids.
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Lids Most collectors today feel that without a lid, a stein is incomplete. Incorrect lid finial compared with the scenes represented on the body. The variations of this mark serve as a dating system, but that goes beyond the scope and purpose of this article. The inlaid lid shows a rooster at sunrise. These hard to describe, but very fancy decorations [above] are hardly ever found on an original.

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These hard to describe, but very fancy decorations [above] are hardly ever found on an original. To more drinking vessels information and identification. This trademark, among other marks, was pressed by hand into the bottom of the piece. No one knows how many steins were produced by Mettlach, but we do know that at the height of production Mettlach employed over factory workers alone. Never seen on an original. Why the lids on beer steins?

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How to tell [2] Photos. Even so, there are many variations in the marks which are not fully understood today, and it is not unusual to find a Mettlach stein without a trademark. Still needing to expand, the company took over a factory in Merzig on the River Saar during and next to the normal tiles that factory also produced terracotta items that were used in the upcoming new area of business of architecturally applied ceramics. Specialty types At various times Mettlach produced steins which had the same decorative style as other manufacturers or periods, including Delft designs, faience and Rookwood.

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